Adam Larey becomes a fugitive from justice when he escapes after being blamed for a crime he did not commit. He wanders into the desert wastelands and joins an outlaw gang who prey on gold prospectors. Years later, he meets his wife and her gold-prospecting father as they have come there seeking their fortune, and not knowing the danger of the treacherous desert wastes, the poisoned-water holes and the outlaw bands of marauders who roam the desert in search of the gold found by others. He comes to their aid and, eventually, manges to clear his name of the false charge against him.
Bhushan Chaudhry (Shafi Inamdar) and Mr. Agarwal (Tiku Talsania) are business rivals, and hate each other. Their children, Rajesh Chaudhry (Aamir Khan) and Asha Agarwal (Juhi Chawla) study in the same class in college, and are in love with each other. Both are terrified of what their parents will do when they find out about their romance. And when the parents do find out, all kinds of restrictions are placed on them. Unable to stay away from each other, they elope in a stolen car. On the way, they come across an injured man, and decide to take him to hospital. Little knowing that helping this stranger will not only change their lives forever, but also place their lives in danger.
When a sixteen year-old boy and his two young siblings set off on a quest to find their missing parents, their search leads them to a ghost town in the middle of the desert. They soon discover that this is no ordinary tourist spot. In fact, according to the maps, it doesn't exist at all! Finding their way into this mysterious place, the kids must confront the sinister force that dwells beneath it in order to rescue their parents - and save themselves.
A man comes to an isolated valley to take revenge on his friend who murdered his wife.
Gold mining cowboy western romantic melodrama (based on the story by Zane Grey) about a pair of cowboys who find a gold mine in "Thunder Mountain", but have no money to develop it. One of the cowboys rescues a girl on a stagecoach and her grateful father agrees to finance them. Along the way, she pretends to fall in love with one of the cowboys. Thinking he is about to be very rich, he sets out, but upon arrival, he finds that a bad man has stolen the claim and started a town. There, everyone turns on him, including the girl, but luckily, another pretty girl, a barmaid (who is secretly in love with him), sticks by him, and he ends up in a climactic shootout on the mountain where the gold is stashed.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf who has taken his daughter captive. As a bargaining chip, Dillon helps two sons of Apache chief Geronimo out of the fort stockade and offers them in trade. Dillon is aided by an Army scout, Chalk Brighton.
Providence is up to his old tricks again and must find a new way to get money after the new President declares a general amnesty.
Film about the early days of the Pony Express and the crooked businessman who opposed it.
A series of reversals bring two desperate people together. When a saloon owner is framed by his partner for a stagecoach robbery, he fights to secure an acquittal.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang. A plan to 'sell' fake dollars to Espartero goes awry, but the two sons of the forger join Quint, and so does Mokaiko, a brave Japanese cook. The rag-tag band of Quinlan meets Espartero in several scraps, and then a climactic confrontation. All are ugly, bad, and dirty (except Baby), and fight accordingly.
In a contemporary reimagining of the American West, three young women - a snake hunter, a New York artist, and a rodeo queen - challenge the idea of who is permitted to be a cowgirl.
Dave Saulter, a rambling young cowboy drifts into a small western town the day a big gold shipment is leaving by stagecoach. Two different people plan to rob the stagecoach...Buck O'Hara, the driver who is very trusted, and a stranger, Texas Jack. Dave gets involved and is accused of being one of the robbers.
A singing cowboy turns out to be a tenderfoot.
A Native American man trains a horse for the Kentucky Derby.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
A halfbreed seeks revenge for the death of his sister, who kills herself after being raped by an officer of the Canadian Mounted Police. He gets involved in the historical revolt of halfbreeds and Indians led by Louis Riel in 1885 against the Canadian government.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
A 1966 film.
Based on Guimarães Rosa's (classic Brazilian author) short story, the movie tells the story of Augusto Matraga, a bankrupt and violent farmer who lives above the Law in Minas Gerais' hinterland. During a difficult time, he finds himself in the middle of a trap that nearly kills him. Born again, Matraga resorts to faith and hard work in the pursuit of redemption. Years later, he arrives at the village reigned by the hinterland's ruler and his thugs. This new friendship will challenge his destiny. Inside Matraga, the Saint and the Warrior will duel until his time comes.
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