Mickey and Minnie are touring Arabia when she catches the eye of sheik Pete.
A tornado sweeps Dorothy away to the land of Oz, to get home she must seek out the Wizard. Along the way she makes friends with Scarecrow, Tin Man, and the Cowardly Lion who want a brain, a heart, and some courage. The Wizard agrees to fulfill their requests after they destroy the Wicked Witch of the West. The Wizard of Oz (オズの魔法使い Ozu no Mahōtsukai) is a 1983 Japanese 10-minute OVA. Part of Toei Animation's World Famous Fairy Tale Series (世界名作童話まんがシリーズ Sekai Meisaku Dōwa Manga Shirīzu) video series, it was originally released in February 1983 on Fujifilm's Single-8 film. Later, it was released on VHS a few times by Toei Video. In the United States, it was dubbed in English and released as part of Volume 4 in the My Favorite Fairy Tales video series, produced in 1986 by Saban Productions and released in 1987 by Hi-Tops Video. It was re-released twice: 1990 by Video Treasures, and 1995 by Anchor Bay Entertainment.
An enthusiastic young forest sprite has to teach a special song to a bird that can't sing.
Popeye takes Swee'pea to the zoo and spends most of his time rescuing the tot from the various animals.
A huge mysterious comet is on a collision course with earth. A crash is averted, but the near miss causes tidal waves, exploding mountains and huge earthquakes. The earth cracks apart and up from the depths come creatures from the past. Huge dinosaurs begin to roam the planet, a planet now covered with swamps and jungles. Then, as suddenly as they came to life, the dinosaurs begin to die. Only the DINOSAUR PATROL can restore order on earth. Or can they?
Loosely based on Franz Kafka’s short story, 'GIVE IT UP!' is a live-action animation odyssey through the confusion of life in the modern world. The narrative follows a lone salesman trapped in a timeless city, increasingly lost in his feverish dreams. Desperate, he races towards a train station as his last hope of escaping the city, encountering divine light, winding roads and the forces of bureaucracy. This deeply personal and referential work preserves Kafka’s absurd humour and pays homage to Weimar cinema of the 1920s, but also elevates the text to an existential meditation on authority, purpose and human helplessness.
SIX GUYS is an exploration of horror, grief and the mind and is inspired by works from Junji Ito as well as Charlie Kaufman's "I'm Thinking of Ending Things".
The Little Prince questions the universe in this story of innocence and wonder.
A detective is drawn by gunfire to investigate a house of horrors. He makes his way through dark hallways and shifting rooms, convinced the answer lies deep within.
The heroes of the Hero Factory must defend Antropolis City against mean intruders!
Tweety Bird goes on a world tour with his mistress, Granny. And a hungry Sylvester Cat follows them everywhere they go (France, Japan, Switzerland, and Italy).
When Galindo, an acid unsuccessful film director, sees the triumph of "La gallina Turuleca" at the 2021 Goya ceremony, he discovers that there is a way to win a Goya automatically: to be the only animated film that comes in. Then Galindo decides to make an animated film to get a much desired Goya. For this he goes in search of his old companions of film adventures: Pablo and Dharma.
A very resistant bug won't let Pink Panther go to sleep.
A cat lover, Jesus leaving the cross and Christmas carollers holding pitchforks are set against a snowy and icy scenery. ‘Zima’, a psychodelic journey to a small fishing village, collects as if in a lens the behaviour, customs and vices of the Polish provinces. In this small community, different views, the behaviour of people and animals and their mutual relations clash like ice floes on a lake. Maintained in the convention of magic realism, this animation is like a horror playing out to the accompaniment of barking dogs and a punk metal music score.
Expecting a visit from his practical joker friend Smiley, Mr. Magoo instead entertains an escaped mental patient.
Hundreds of thousands of years after the collapse of civilization, the world is a post-tech wasteland, and is inhabited by humanoid tribes. The Peace held between them is threatened by the return of Wushen, an evil shape-shifting ghost of modern technology. Wushen threatens to enslave the world population. Zhuma, a ten-year-old girl is the heroine of the story, accompanied by Zhanggong, her lion-like Tibetan Mastiff dog. Chosen, and helped by a ethereal goddess she must assemble a band of allies from the surviving tribes to fight Wushen, and stop him from gaining control over an ancient power.
After Sumsemann the beetle loses one of his arms to a troll, he invites brother and sister Peterchen and Annaliese to join him on a journey to the moon in a quest to retrieve his lost arm.
A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
When a mysterious figure appears to cause a series of disruptions at the Frisbie Home in New York, word goes out to Scotland Yard that the Fuzz-Faced Phantom is at work. Soon, Charley MacNeesha and his assistant MacGregor are sent across the ocean to investigate.
The king of the jungle, after a well spent day terrorising the rest of the animals, is petrified by a mouse.
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