After debuting in 1983 with Casta Diva, Eric de Kuyper immediately made Naughty Boys in 1984, a film that he himself described as “a sad musical comedy” in which he pays homage to the old musicals and comedies. The film is set in an unspecified time, somewhere between both World Wars in a large English country house. Six gentlemen in dinner jackets try to maintain the atmosphere of a party that has just ended. Naughty Boys was the second film De Kuyper made with friends and students, but here for the first time they were joined by a “professional” actress, Linda Polan.
CALYPSO (1958) was entirely shot on location in the Antilles archipelago with mostly non-professional actors and was released in colour and Cinemascope. It was a kind of follow-up to the previous Italian exotic documentary films from the 1950s and especially to L´ULTIMO PARADISO.
A delicately nuanced psychological drama, exploring a 3-way relationship between the main characters and the crisis of conscience that rocks it. A prosperous, well-respected lawyer, in love with and engaged to an educated, socially-conscious young woman, rapes a poor local village milkmaid. The rest of the story deals with the aftermath of this tragic event, with all the inevitable undercurrents of guilt, penitence and pervasive heartbreak that stem from it.
The young gypsy Peret and his friend Fidel are owners of an inn frequented by tourists. Peret orders the expansion of the business to a young decorator, who falls madly in love with him. Fifth feature by the Rumelo Peret, built for his brilliance, which here plays the owner of a tourist inn, a gypsy rumba singer whose songs will love both a young woman and her mother. A friendly comedy that has as its background the tourist boom of Spain in the late 1960
La Scala went all out for its 1986 production of this grandest of grand operas, with a strong cast and, most important for a video recording, a larger-than-life staging. The Triumph Scene in Act II is by no means Aida's only attraction, but it is the part that makes the strongest and most lasting impression and it is the visual and musical climax of this production. Stage director Luca Ronconi brings on a procession to dwarf all processions: looted treasures, heroic statuary, miserable captives struggling under the lash of whip-bearing slave drivers. On par with these visuals is Lorin Maazel's first-class performance of the popular Grand March with the outstanding La Scala chorus and orchestra. In Act III, the contrasting tranquility of the Nile Scene also gets a visual treatment to match the music's qualities.
French artist Maurice Chevalier (1888-1972), a legend of stage and screen, was an accomplished singer, actor and entertainer, who embodied the charm of his native Paris throughout a decades-long career that brought him fame in Europe and America and left for show business history a vast repertoire of masterful classic songs and captivating film performances.
Live performance from the Opéra National de Lyon.
In a small Hungarian village, a priest discovers a girl named Gitta who can sing beautifully. He takes Gitta with him and turns her into a celebrated revue star. After a quarrel with the priest, she runs away and meets a young composer named Peter, who does not know that she is a successful singer.
Massive ensembles. White hot arias. The dark recesses of the mind. Verdi’s adaptation of Shakespeare’s smoldering tragedy is a riveting exploration of power, corruption, and freedom. Meet opera’s most power-hungry couple: Macbeth and his Lady. When they’re caught in a murderous plot to claim the Scottish throne, their manic greed for control has no end. Verdi wrote this powerhouse during Italy’s independence movement, and it soars with themes of political corruption, tyrannical rule, and liberation of the people. Macbeth takes audiences through a gripping tale of ambition and scandal, from the first note to the spectacular closing chorus. As the chilling finale approaches, ghosts of the past lurk in the shadows. Power unchecked comes at a cost; what can stop its bloody path of destruction?
César and Luis, two tango authors, visit Polaco Goyeneche at his house, to give him a song in his honor. Based on the song "Ciudadano de Saavedra" by César Rossi and Julio Pane.
Meral (8) just moved into a new town. She tries to make friends at her new school before their autumn school camp, but this is harder than expected. At home she befriends a little mouse that lives in her new room, which she calls Peepeep. Afraid that her parents will kill Peepeep while she is away, she secretly takes him with her. Thanks to the mouse, Meral makes some unexpected new friends. When an owl catches the little mouse, Meral blames her new friends. It is not until they set out into the wild to retrieve the owl pellet with Peepeep's bones that Meral finally understands what friendship is all about. OWLS & MICE is the sequel of the successful and award-winning FROGS & TOADS, from the same writer and director Simone van Dusseldorp.
Recorded live in 1978, Never Say Die is a defining moment in Black Sabbath's history. This unique concert is one of Sabbath's final performances with the original line-up of Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward. Setlist: 1. Symptom Of The Universe 2. War Pigs 3. Snow Blind 4. Never Say Die 5. Black Sabbath 6. Dirty Women 7. Rock And Roll Doctor 8. Electric Funeral 9. Children Of The Grave 10. Paranoid
The absolute queen of country music, Dolly Parton succeeded in rallying a fractured America to her peroxide-colored beehive and her self-assumed paradoxes. Portrait of an immense artist and an irresistibly mischievous icon.
Howard Young is a coast guardsman who has been on shore duty for three years despite his efforts to be sent into action. His nearest approach to sea duty was on a harbor-moored life raft for 21 days as part of an experiment with a new type of vitamin gum for the government. He meets Christine Bradley, a SPAR, sent to take over his communications job and, by things he leaves unsaid, she thinks his life-raft experience was the result of a ship-wreck at sea.
Calling the Tune offers a fascinating look at the fledgeling gramophone industry as it tries to solve the problems of reliable recording and production methods. 'I predict that the gramophone will be the democratic entertainment of the future' states unscrupulous record label boss Mr Gordon (Sam Livesey), who finally gets his comeuppance after one dirty trick too far against his rivals. If the film's love story is perfunctory, the real interest comes with watching performers of the day, from Henry Wood and his orchestra to George Robey and Charles 'the laughing policeman' Penrose laying down their recordings direct to record. And something very like a prototype laser disc makes a crucial appearance too.
The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...
Sevda Erses is a singer who has devoted herself to Turkish classical music and strives to be principled in her work. She is careful not to go beyond professional relationships with her boss and listeners, which is why her career has stagnated. As part of her Anatolian tour with a company, Erses also gives concerts in a small town. The singer not only receives great interest from the local people but also unintentionally captivates the town's leader. However, her heart belongs to an engineer she met in the same town.
A piano teacher and her roommate decide to invest their savings in a music publishing company. Comedy with music.
Performances from Beyoncé's "Mrs. Carter Show World Tour."
The life of samba composer Noel Rosa.
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