After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.
In this twisted musical comedy, Mortie falls in love with the corpses who come through his morgue until a vulnerable nurse teaches him to love a woman who is alive.
Exploring how punk influenced politics in late-1970s Britain, when a group of artists united to take on the National Front, armed only with a fanzine and a love of music.
This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.
Otis and Eddie have been best friends since childhood and live in Berlin on a day-to-day basis. No prospects, only the big dream of music. When one day a record label becomes aware of them, nothing stands in the way of living out this dream. But the record label likes to interfere and the friendship is put to the test.
The title character is a tight-fisted rich old man who has recently fallen in love with "Golnar", the beautiful daughter of "Rustam-Beik", a bankrupt tradesman. The father who is looking for a way to pay his debts, concedes to their marriage. But Golnar loves a young beau named "Sarvar". Mashhadi Ebad finally wins the day and prepares for the wedding ceremony. On the wedding day, however, the tides turn and Sarvar manages to make Mashhadi Ebad not only disappointed by the union, but also bound to paying back all his debts to Rustam-Beik.
This concert film captures the first ever live performance by The Who of “Tommy” in its entirety, recorded in June 2017. The show includes all time classics like “Pinball Wizard”, “I’m Free”, “Amazing Journey”, “We’re Not Gonna Take It”, “I Can’t Explain”, “Who Are You”, “Won’t Get Fooled Again”, “I Can See For Miles” and more.
The film is based on the lives of Bengali's across the world, especially on those settled abroad. It attempts to delineate the pain and dilemma of Bengali's estranged from their places of origin. It seeks to explore sensitive souls singing to the tunes of Tagore.
To get the Delaney ranch Cole's henchman Anders has started a phony range war between the cattlemen and sheepmen. After killing Delaney, he tries to kill his daughter Jill and then Roy who was sent to investigate the war. But the failed attempts gives Roy the information he needs.
Calvin Lenox's 'The Door at the End of the Hall' follows a young musician through a dream of his in which he hears a mysterious song that seems to be coming from behind a locked door at the end of a hallway. Things start to fall into place when a strange voice begins to speak to him from behind the door.
A story about Nora a rich young woman from the province who made a vow along with another friend to go the metro and pretend to be beggars to raise money for their church. On their way there on the train they met Ernesto a rich young man who falls in love with Nora oblivious of her vow.
Apolônio Brasil was a pianist at a famous nightclub in Rio de Janeiro, from the 1950s until his untimely death. Quite a character, Apolônio was loved by women and idolized by his audience and friends. His contagious joy attracts the attention of American scientist Dr. Boris Lewitsky, who comes to Brazil in order to interview Apolônio's close friends and make them a most unusual offer concerning the remains of the late musician.
Exclusive, long-lost live material from rock's most iconic bands and artists, as well as original interviews with the living legends themselves, including Alice Cooper, Ozzy Osbourne, Jimmy Page, Nikki Sixx, David Draiman and more.
Two aspiring songwriters finally manage to sell a tune by claiming that it was composed by a reclusive musical genius. When the tune hits the top of the charts, they find themselves having to produce the "real" composer.
Anthropologist goes to small town to do field work supporting her theories about the primitive/subhuman origins of machismo.
At a convent school for young girls, no one must know that the organist Celestin is the same person as the operetta composer Floridor. But in the long run, it cannot be hidden. His bright student Charlotte has been chosen as the bride of a man she has never met – but during a trip to Copenhagen, where Celestin is supposed to protect Charlotte from the temptations of the city, he takes her to the theatre where his operetta is to premiere. And that is where Celestin's problems really begin.
Ella and her friends sign up for a song contest that offers her the chance to make it big in the music business. Her strongest competitor is rapper alfaMK, who already has a fan base and is also outrageously good-looking.
A farmer and the mesmerizing girl next door find the path to true love anything but smooth.
Riccardo Chailly inaugurates the 2024-2025 Opera Season with a new production of La forza del destino, conducting his ninth Verdi title at La Scala. Leo Muscato will direct yet another cast of extraordinary prestige. A complex opera in terms of dramaturgy, first performed in St. Petersburg in 1862 and debuting in its final form at La Scala in 1869 with the creation of the famous overture, La forza del destino offers some of the most memorable Verdi melodies. It has been absent from the programme since the Verdi centennial in 2001, when it was brought to La Scala by the artists of the Mariinsky Theatre of St. Petersburg; the La Scala Orchestra and Choir have not performed it since 1999.
Film version of the operetta by Emmerich Kalman. Victor has won 10 000 Mark with his ceiling painting. In the local pub, he celebrates his triumph. Countess Alexandra happens to drop into the pub too, and is thought to be a model by the sponsor of the prize, Count Meredith. Victor soon has to save her from an embarassing misunderstanding. The two men insult each other and Victor loses his prize.
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