A young man with charisma and magnetism enters the atmosphere of tropical music as a romantic singer and undertakes a vertiginous ascent to fame.
A Musical Revue featuring a number of prominent vaudeville and theatrical British artists of the day in songs, dances, dramatic and musical sketches.
This rare Fleetwood Mac documentary provides an intimate look at the original band as led by Peter Green, during the 1960s British blues boom.
An unfortunate convent cooking accident causes most of the order of the Little Sisters of Hoboken to die of botulism. Before all of the deceased sisters can be buried, Reverend Mother Superior (Rue McClanahan) buys a camcorder and VCR for the convent - resulting in not having enough money to bury the four remaining sisters (which, by the way, are temporarily being stored in the freezer). In order to raise money to bury the four dead sisters, the Little Sisters of Hoboken (well, what's left of them) put on a riotous revue packed with hilarious, show-stopping song and dance numbers.
Flying from one charming lady---eluding another---and almost losing both!
Student Mizuki Sakurazaka looks like a boy and is treated like a prince at her all female Seinoibara High School. She also leads the all girl rock band Burauerozen. They regularly perform at a venue that allows only women. Akira Shiraishi is a student at the all male Kaizan High School. He's treated like a princess at his school because of his feminine face. Akira then sneaks in to watch Burauerozen. He confesses his love to Mizuki...
The story of the 1968 album, The Kinks Are the Village Green Preservation Society. After failing to chart upon release, it went on to become one of the most influential works in rock.
A musical comedy that follows the progress of a college All America football player whose swollen head is deflated when, after graduating , he takes a job as a Wall Street stock salesman. While poor at selling, he knows how to charm women and his boss has him concentrate his efforts on disposing of bad stock to gullible females, one of whom turns out to be the wife of his boss. The film is considered lost, with only its soundtrack remaining.
Film version of the Verdi opera about lovers on the run after the accidental death of the girl's father.
A mountie pursues a man wanted for murder.
The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...
Near Border Flats, Don Coyote and his friend Sancho are interrupted on their way to the fiesta by a fight. A quick intervention on their part prompts ranch owner Maggie Riley to hire them. Coyote and Sancho meet her surly, younger brother Ted who is wanting Maggie to sell their cattle herd to pay off a bank loan before they lose the ranch. But when they try to drive a herd to market, a gang led by Big Foot Ferguson drives off their cowhands.
"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!
Soprano Anna Netrebko appears in her highly anticipated Met role debut as Leonora, the tortured heroine who sacrifices her own life for the love of the Gypsy troubadour. Dmitri Hvorostovsky sings Count di Luna, Yonghoon Lee is Manrico in his Met role debut as the title character, Dolora Zajick sings her signature role of the gypsy Azucena, and Štefan Kocán is Ferrando. Marco Armiliato conducts Sir David McVicar’s Goya-inspired production.
This was one of a series of concerts James Brown gave at the Apollo in Harlem in March 1968. This performance was broadcast on television as James Brown: Man To Man. In addition to 16 vintage color performances from the concert, this special also includes film of James Brown walking the streets of Harlem and Watts as he speaks to the state of Black America and describes the political and socioeconomic advances that need to be accomplished: “My flight is for Black American to become American.”—James Brown This concert is much a 1968 James Brown time capsule as it is a timeless representation of how music can change the world.
Bongo, the performing bear, escapes from the circus and tries to adapt to life in the wild.
An alcoholic, cancer-ridden American film-maker decides to produce a Bollywood movie.
Elvis Presley performance at the Madison Square Garden arena in New York City on Saturday June 10, 1972, the concert, and the subsequent album, were promoted as being Presley's first live concerts in the Big Apple since the 1950s.
To commemorate the 20 years that have passed since DC-based post-hardcore band Fugazi's last live appearance (November 4, 2002, at the Forum in London), Joe Gross, Joseph Pattisall and Jeff Krulik presented a screening of crowd-sourced, fan-recorded live shows, and rare archival footage to pay tribute to Fugazi's prowess as a live act—for old fans to remember and for a new generation to discover what they missed. This one-off screening event celebrates the fans and their cameras, as much as the band itself—a collision/collusion of the ephemeral moment on stage and the moments captured on camera.
A resident of a suburban dystopia tries to reassemble his fragmented memories of life as a teen.
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